Friday, 12 September 2014

Annotated Catalogue

The portrayal of violence in the films of Quentin Tarantino can be viewed as comically excessive. To what extent can this qualify the director as an auteur?

Films
Item 1
Kill Bill Volume 1 - (2003) Director - Quentin Tarantino
I chose this film as it shows the clear auteur traits of Tarantino that my questions focuses on: an excessive use of violence during the protagonist's quest for revenge from not only the protagonist but also the foes that stand in her way. It also has other traits of Tarantino's auteur presence as it shows the main character on a quest for revenge and contains the non-diegetic use of western music. This is very useful to my question as it contains scenes of excessive violence, such as: the fight between the bride, Lucy Lou and the Crazy 88 and also the fight scene between The bird and Copperhead.

Item 2
Django Unchained - (2012) Director - Quentin Tarantino
I chose this film as it also shows excessive violence in the protagonist's quest. However, this film is run by Django's quest to find his wife, instead of revenge like item 1. This film is also from a male protagonist's point of view and based around a historical event that caused even more controversy than Tarantino's violence does. This film is very useful to my question as it shows violence in scenes, such as: the confrontation between Django and the Brittle Brothers and between Django and the people in Candy Land.

Item 3
Inglorious Basterds - (2009) Director - Quentin Tarantino
I chose this film as, yet again, it shows the use of excessive violence throughout the film during the protagonists' quest. And much like Item 2, Inglorious Basterds is also based on historical events which Tarantino blows out of proportion with his excessive violence. However, this film has more than one protagonist on a quest for revenge, it has a whole group of people all affected by the same events and seeking revenge. This film is very useful for answering my question as it has scenes, such as: when shushseana blows up her cinema and when the Basterds are introduced.

Websites
Item 4
thewire.com - (2013) Tarantino's views on violence
I chose this web-link as it is an article containing Quentin Tarantino's views on violence and movies. It is very useful as it clearly gives his opinion on the controversy of the violence in his films since 1993 and shows quotes from Tarantino in other interviews as sources, such as Item 5. It also shows Tarantino's frustration at people linking the violence in his movies to violence in real life which is also useful in answering my question as it backs up why he uses violence in his films.

Item 5
Channel4.com
I chose this web-link as it is an article containing research on Tarantino's opinion on violence as a whole. This link is useful as it gives me lots of quotes by Tarantino over the years but also gives his opinion on people's criticism towards his persistent, excessive use of violence. This link is also useful as it gives an opinion on Tarantino and his directing from the view of someone who isn't Quentin's biggest fan, this gives me a mix of opinions to my piece. It also discusses Item 2 that I am looking at.

Item 6
thedailybeast.com (2013)
I chose this weblink as it includes a report explaining Tarantino's "infatuation" with violence and tries to explain why he uses such graphic violence in his movies, which will be very useful towards my question as it gives me more of an insight to the opinions of Tarantino's violence by critics. It also links to the report in Item 5.

Item 7
miramax.com (2013)
I chose this weblink as it goes into detail about just how excessive Tarantino's movie violence is. This will be useful for answering my question as it shows statistics of how many brutal deaths there are for each of his movies and through the use of a pictogram, shows the methods of violent deaths that are used during each film. This Item also includes statistics on Items 1, 2 & 3.

Item 8
bfi.org.uk
I chose this weblink as it is a very unique take on why Tarantino uses such excessive violence in his films. I feel this will be useful to answering my question as instead of taking the approach that Tarantino uses violence simply for violence sake, this reporter seems to think that Tarantino has a strange attraction to the violence in his own movies and debates whether some of the violence is really necessary in some of his movies. This report also looks into scenes from Items 1, 2 & 3.

Magazines
Item 9
Telegraph - (2010) Violences and Audiences - Tarantino
I chose this article as it gives Tarantino's reasons for why he enjoys using excessive movie violence. This works with my question as it justifies why he uses such graphic violence to capture his audience, despite the controversy it causes.

Youtube
Item 10
Newspoliticstoday - Debate on the correlation between film violence and real life violence (2012)
I chose this debate as it give facts and figures about the correlation between movie violence and real life violence which is useful to my question as it shows a view of whether Tarantino is right for his reasoning behind why he uses violence. It also discusses Item 2 that I am looking at.

Item 11
Kron 4 news - Interview with Tarantino (2009)
I chose this interview as Jan discusses with Tarantino why he uses movie violence and the audiences he aims it at. This is useful to my question as it it gives two views in one video on Tarantino's violence and also tells you why Tarantino chooses to use such controversial violence. It also discusses Item 1 that I am looking at as it is a promotional interview for Tarantino's movie: Kill Bill Vol.1, where they discuss whether the violence is really appropriate.

Interviews
Item 12
BBC4 - Tarantino Talks to Kirsty Walk
I chose this interview as it goes into detail of why and how Tarantino uses excessive violence and his view on the controversial views people have on his movies. This is a very useful video as it also involves statements about Items 1, 2 & 3 and relates directly to my question by discussing the level of violence in all three films.

Books
Item 13
Quintessential Tarantino by Edwin Page
I chose this book as it tells you how the violence in Item 1 differs from the violence in Tarantino's other films. I thought this would be useful to answer my question as it gives an example that maybe he doesn't stick to the same patterns as even in his violence he differs between movies and it also contains quotes that I can use in my presentation.

Item 14
Tarantino by Jim Smith
I chose this book as it gives you information on how Tarantino created the violence in Item 1. I thought this would be useful as the gives a contradiction to what Tarantino has said about his view on violence by Uma Thurman, showing that Tarantino pushes the boundaries of real life violence to get the violence he wants in his films. The author also seems to find Tarantino's violence controversial and makes a point of commenting on his opinions of Tarantino's "Fantasy land" violence which are quotes that I can use in my presentation to answer my question.

Item 15
Film Studies: The Essential Guide by Peter Bennett, Andrew Hickman and Peter Wall
I chose this book as it has a section on Auteurs and Auteur theory which is relevant to answering my question. I found this very useful as it explains the Auteur theory and explains the ideas behind it with extracts from the original Auteur theory: Une Certaine Tendence Du Cinema Francais by Francois Truffaut. This will be useful to quote in my presentation to give more evidence to Tarantino's excessive violence making him an Auteur.

Rejected Items
Movie
Pulp Fiction - (1994) - Director: Quentin Tarantino
I chose not to use this item as it doesn't show as much excessive violence as Items 1, 2 & 3 and also contains some topics that I personally find very sensitive and this made me uncomfortable with watching this film in great detail.

Interview
Tarantino Talks to Johnathon Ross
I chose not to use this interview as it is predominately Johnathon Ross pointing out that Tarantino copies many old Asian movies and references lots of other films including his own. This has no relevance to my question and doesn't talk about why Tarantino uses such excessive violence or the views on it.

Interview
Jon Stewart interviews Quentin Tarantino
I chose not to use this interview as it is just Tarantino publisising his movie, Pulp Fiction. Which isn't an Item I am using in my report and the interview also has nothing to do with his excessive us of violence.

Movie
Jackie Brown - (1994) - Director: Quentin Tarantino
I chose not to use this movie as it has the least deaths of Tarantino's movies and doesn't show the controversy of his excessive use of violence due to the fact that all of the deaths happen off screen.

Monday, 16 June 2014

Tarantino Coursework

Theme: his use of excessive violence

Possible items to use:

Movies:
- Kill Bill Vol.1
- Kill Bill Vol.2
- Pulp Fiction
- Reservoir Dogs
- Django Unchained
- Jackie Brown
- Death Proof
- Inglorious Basterds

Interviews:
- Tarantino talks to Kirsty Walk
- Tarantino talks to Jonathan Ross 2003
- Tarantino on Hollywood's Boy Wonder

Books:
- Quintessential Tarantino By Edwin Page
- Tarantino By Jim Smith
- Pulp Fiction By Tarantino
- Teach yourself film studies - Auteur theory

Webpages:
http://www.scoop.it/t/film-studies?q=tarantino
http://www.youtube.com/watch?v=GrsJDy8VjZk - "I'm shutting your but down"
https://www.youtube.com/watch?v=fCPTDQkKe3I - Trying to act black
https://www.youtube.com/watch?v=foRhVd7id9s - nothing to do with violence
https://www.youtube.com/watch?v=JGQaJcwAtpU - violence is fun to watch
https://www.youtube.com/watch?v=fqxIRwe61zo - correlation between film and real life violence
http://www.thewire.com/entertainment/2013/01/quentin-tarantino-violence-quotes/60900/
http://www.telegraph.co.uk/culture/film/film-news/6975563/Quentin-Tarantino-violence-is-the-best-way-to-control-an-audience.html
http://www.channel4.com/news/tarantino-cinema-violence-django-unchained-quentin
http://www.miramax.com/subscript/quentin-tarantino-violence-in-films
http://news.yahoo.com/everything-quentin-tarantino-really-thinks-violence-movies-200748205.html
http://www.thedailybeast.com/articles/2013/01/11/quentin-tarantino-s-infatuation-with-raw-violence.html
http://www.bfi.org.uk/news-opinion/sight-sound-magazine/comment/death-tarantino-style

IMDB Quotes:
On media criticisms of violence in his movies: "Sure, Kill Bill's a violent movie. But it's a Tarantino movie. You don't go to see Metallica and ask the fuckers to turn the music down."
On violence in "Kill Bill: Vol. 1": "When I was on "The View", Barbara Walters was asking me about the blood and stuff, and I said, 'Well, you know, that's a staple of Japanese cinema.' And then she came back,'But this is America.' And I go, 'I don't make movies for America. I make movies for planet Earth.'"

Sunday, 13 April 2014

Captain America: The Winter Solider

Captain America: The Winter Soldier
Plot:
Steve Rogers struggles to embrace his role in the modern world and battles a new threat from old history: the Soviet agent known as the Winter Soldier.

Genre: Action/Adventure/Sci-Fi

Released Date: 04/04/2014

Certificate: 12A

Budget: $170 Million

Box Office:
- Opening Weekend: $95,023,721
- Worldwide: $476,706,000

Stars:
- Chris Evans (Well Known: Lucas Lee in Scott Pilgrim Vs. The World; Human Torch/ Johnny Storm in Fantastic Four and Captain America in The Avengers Assemble)
- Samuel L Jackson (Well Known: Stephen in Django Unchained; Gerald Olin in 1408 and Jules Winnfield in Pulp Fiction)
- Scarlett Johansson (Well Known: Samantha in Her; Olivia Wenscombe in The Prestige and Sarah Jordan/Jordan Two Delta in The Island)

Production Companies:
- Marvel Entertainment
- Marvel Studios
- Perception
- Sony Pictures Imageworks

Marketing:
- Tease trailer was released in July 2013
- Later in July 2013, the directors and main cast held a panel at the San Diego Comic-Con
-First offical tralier was released in October 2013
- Captain America made an appearance in Disneyland in honor of the film in January 2014
- First televised advertisment during the superbowl on 02/02/2014
- Released a Captain America Experience App in March 2014 which could be shared on instagram and twitter
- Aired a televised special on 18/03/2014 which had a sneak preview of the film in it
- 01/04/2014, Evans and Stan rang the opening bell of the New York Stock Exchange in honor of the films release.

Reviews:
http://www.rottentomatoes.com/m/captain_america_the_winter_soldier_2014/

Inside Llewyn Davis

Inside Llewyn Davis
Plot:
Follow a week in the life of a young folk singer as he navigates the Greenwich Village folk scene of 1961. Guitar in tow, huddled against the unforgiving New York winter, he is struggling to make it as a musician against seemingly insurmountable obstacles; some of them of his own making.

Release Date: 10/01/2014

Certificate: 15

Genre: Drama/Music

Budget: N/A

Box office: $32,560,319

Stars:
- Oscar Isaac (Well known; Standard in Drive; Blue Jones in Suckerpunch; and Prince John in Robin Hood)
- Carey Mulligan (Well known: Daisy Buchanan in The Great Gatsby and as Irene in Drive)
- Justin Timberlake (Well known: Sean Parker in The Social Network; Will Salas in In Time; and Boo Boo in Yogi Bear)

Production Companies:
- CBS Films
- Studio Canal
- Anton Capital Entertainment
- Mike Zoss Productions
- Scott Rudin Productions

Marketing: Social Media Advertisement and Clips released on the internet

Reviews:
http://www.rottentomatoes.com/m/inside_llewyn_davis_2013/

Monday, 31 March 2014

What is the significance about setting and/or place in your chosen American films?

Setting is a key aspect in both Badlands & Natural Born Killers as it shows main themes and ideas in the films that aren't always obvious to an audience.

A main convention of a "Lovers on the Lam" movie is the setting of the car. Kit & Holly spend a lot more time in their car than Mickey & Mallory do in Natural Born Killers. For Badlands, the car becomes an idea of escape, from the world and even from each other. This is shown in the scene just after Holly & Kit have sex for the first time when Kit calls her "Stupid". Once Kit says this, Holly replies with "Don't call me stupid." and walks off towards the car. She leaves the man she is supposed to be in love with and goes and sits in the car. Almost as if it will make everything better for her, that the car is a safe place or an escape from hurt and misery. The car is also their escape from the world when they start living in the car when they are on the run. They are sat in the back seat holding each other tight as if nothing can get in through the walls of the car and it is their safe place.

However in Natural Born Killers, the setting of the car shows Mickey & Mallory at their closest. They aren't in the car unless they are trying to get away (unlike Kit & Holly, who live in their car for a period of time) but when they are, they are often more lovingly towards each other than in other scenes after they run away. For example, just before the first motel scene, Mallory asks Mickey if he still thinks she's sexy. She tries to quickly make herself look pretty and Mickey replies by saying the need to find a hotel room and he rubs her leg as if to comfort her. By rubbing her leg, this shows he genuine cares about her feelings, that he's trying to show he does love her and she has nothing to worry about

But unlike Badlands, Mickey & Mallory spend a lot more time living in motels then their car whilst they are on the run. But we see a lot more of the characters background in the motels as Stone uses the setting of a psychological landscape. The psychological landscape shows clips of animals, almost to demonstrate the animalistic nature of Mickey & Mallory, but it also shows clips from Mickey's past of Mickey as a child and of Mickey's screaming mother. This demonstrates the common convention of a dysfunctional family in the "Lovers on the Lam" genre but twists it a little as normally it is the girl with the dysfunctional family, in Natural Born Killers, both Mickey and Mallory have the dysfunctional families. They were both abused growing up and surrounded by abusive events.

But since Badlands doesn't use the technique of a psychological landscape or use motels (as there wasn't many around in the time that the film was set) Kit and Holly spend the majority of their time living in the woods. However, the dysfunction in the film was also shown in them living in the woods as they start to form a dysfunction with each other. This is main portrayed in the scene where Kit and Holly are dancing. As a couple, they would normally be dancing together but there is a clear distance between the two characters as they dance seperately and don't even look at each other. They spend the entire dance looking down at the floor to the song "Love is Strange" which definitely shows how strange their love is. Normally lovers dance together (like when Mickey and Mallory start dancing together after they kill all those people in the diner at the start. Fire works explode behind them to show the true love behind them) but Kit & Holly keep their distance almost as if there a physical barrier between them, keeping them from truly being lovers and it could be suggested to an extent from them both truly being happy.

Monday, 17 March 2014

How far do the two films you have studied in this topic present similar messages and values?

Both Badlands and Natural Born Killers are based around the same murder spree story of Charles Starkweather. However, the messages they show come across in different ways.

Natural Born Killers' main message is that the media corrupts people. This is shown by using a number of different techniques but one scene that shows this the most is when Mickey and Mallory first meet. This scene is set out like a classic American sitcom. When Mallory's dad is talking about checking whether she's "clean", a canned laugh is used as non-diegetic sound. This makes the abuse seem comical as it's so americanised and it shows that even television is making abuse funny. Because, as a audience member, it makes you laugh at the absurdity of it, you become almost as bad as the father through how the "media" made you feel in this scene. However, Badlands' main message is that people will do anything to be famous. Kit models himself on James Dean and at the end, after his murder spree, Kit is handing out his belongings to the coppers like he is a worldwide star. He throws them his pen and lighter, etc. But because mass murderers were rare in the 1950s, by going on his rampage, Kit got the fame he desperately wanted. Henceforth, also showing the message behind NBK, that by the media covering Kit's story, the media has corrupted him futher.

Tuesday, 4 March 2014

How far do the American films you have studied for this topic depend on well established narrative and/or genre conventions?

Badlands and Natural Born Killers both run along the typical narrative conventions of the "Lovers on the Lam" genre. Both involve the story line of "Fall in love, kill the parents and run away". However, they both take different approaches on how the story is told.

Both films have the death of the parent/s to kick start the couple's stories, however, the circumstances of these murders are very different. In Badlands, Holly's father won't let the couple be together. Kit goes back to Holly's to take her anyway but when the father comes home and tries to stop them, it is Kit that shoots him. Through this part of the scene, Kit is filmed at a low angle to show his position of power. This is completely different to Natural Born Killers. In Natural Born Killers, Mickey turns up to whisk Mallory away to their happily ever after and Mickey smacks Mallory's father around the face with a crow bar when he tries to stop them. Mickey and Mallory are both shown from high angles in this part of the scene as they both have the power, they both take part in the murder of Mallory's family. But Mallory plays a much bigger part in the death of her family than Holly does. This is because Holly's dad was always a dad to her. He brought her up all by himself after her mother died and tries to make sure she is safe. So when Kit kills her dad, she just stands and watches. Almost as if she is a ghost on the scene, that she is emotional detached from the situation. Whereas, for Mallory, killing her father is a lot more personal. During the movie, you find out that her father raped her and due to this, Mallory takes enjoyment in the murder of her parents. She has a much greater part in their death and holds her dad's head under the water. She also yells at her mother "You didn't try to stop him." just before se lights her on fire and lets her burn to death. In Badlands, Holly is very naive to her father's death. She evens goes up to her dad and asks Kit is they should get a doctor. She's very childish and detached towards the event, as if it isn't really happening to her. Whereas Mallory is screaming at her parents and seems to take great pleasure in their death; which suggests she is a much more emotional character.

Both films also follow the narrative convention of the lovers running away together. Whereas, Mickey and Mallory's run away is far more violent than Kit and Holly's, they both run along the same idea of a fairytale life or a fantasy world. Kit and Holly end up living in the forest for a period of time and create a new life there. They are constantly shot from low angles as they are in a position of power in their own little world. They become almost like a married couple living together in their tree house and using the forest around them to survive. Much like Badlands, Mickey and Mallory also live in a make believe world. When they run away and get "married" on the bridge, they become aggressive towards the drivers who take them out of their fantasy world. Mallory starts screaming abuse at them. But as soon as the drivers are gone, they pick up where they left off in their fantasy and have a "wedding" in the style of a make-believe one you'd have as a kid. When they get "married", it's filmed as if it were a home movie. This adds to the idea of kids playing pretend. This differs to Badlands as Kit and Holly only act like a married couple but a couple that have been together for 40 years and can no longer stand each other. For example, when they're dancing out the front of their tree house, they are dancing to "Love Is Strange" and are completely separate to each other. Most loving couples would be dancing hand in hand or at least smiling at each other. However, Kit and Holly don't even glance at each other. They dance looking down at the floor and Kit has his hands in his pockets, almost as if they were strangers being forced to dance together. Which is unlike Mickey and Mallory as they constantly have their arms around each other like they can't get enough of the other person or like they are dependant on the other person to survive.